{"id":11988,"date":"2026-05-20T09:46:48","date_gmt":"2026-05-20T09:46:48","guid":{"rendered":"https:\/\/www.btaytd.org\/web\/?p=11988"},"modified":"2026-05-20T09:46:54","modified_gmt":"2026-05-20T09:46:54","slug":"pusula-dergisi-nisan-2026-sayisi-kultur-sanat","status":"publish","type":"post","link":"https:\/\/www.btaytd.org\/web\/tr\/pusula-dergisi-nisan-2026-sayisi-kultur-sanat\/","title":{"rendered":"PUSULA DERG\u0130S\u0130 N\u0130SAN 2026 SAYISI- K\u00dcLT\u00dcR SANAT"},"content":{"rendered":"\n<p><strong>\u015e\u0130\u0130R ; \u0130NSANIN KEND\u0130NE YAZDI\u011eI G\u0130ZL\u0130 MET\u0130N<\/strong><\/p>\n\n\n\n<p>\u015eiir, \u00e7o\u011fu zaman yanl\u0131\u015f anla\u015f\u0131l\u0131r. Onun bir s\u00fcs, bir edeb\u00ee oyun ya da duygular\u0131n estetik bir sunumu oldu\u011fu san\u0131l\u0131r. Oysa \u015fiir, en yal\u0131n h\u00e2liyle, insan\u0131n kendine yazd\u0131\u011f\u0131 bir metindir. Ba\u015fkalar\u0131 okusun diye de\u011fil; insan kendini anlad\u0131k\u00e7a, derinle\u015ftik\u00e7e; kendine ve olanlara katlanabilsin diye yaz\u0131l\u0131r. Ruhsal bir rahatlamad\u0131r belki de. \u015eair dedi\u011fimiz ki\u015fi de bu y\u00fczden farkl\u0131 bir yerde durur. O, herkesten daha fazla hisseden biri de\u011fildir. Ama hissetti\u011fini g\u00f6rmezden gelemeyen biridir. \u0130\u00e7inden ge\u00e7enleri susturamaz. Zihninden ge\u00e7en bir d\u00fc\u015f\u00fcnce, kalbinde yank\u0131lanan bir duygu, onun i\u00e7in gelip ge\u00e7ici de\u011fildir. Kal\u0131r. Birikir. Yo\u011funla\u015f\u0131r. Ve en sonunda bir yol arar kendine. \u0130\u015fte o yolun ad\u0131 \u015fiirdir. \u015eair, \u00e7o\u011fu zaman d\u0131\u015f d\u00fcnyay\u0131 anlat\u0131yor gibi g\u00f6r\u00fcn\u00fcr. Bir \u015fehri, bir y\u00fcz\u00fc, bir ayr\u0131l\u0131\u011f\u0131, bir geceyi, ancak asl\u0131nda b\u00fct\u00fcn bunlar birer bahanedir. As\u0131l anlat\u0131lan, o g\u00f6r\u00fcnt\u00fclerin i\u00e7te b\u0131rakt\u0131\u011f\u0131 izdir. \u00c7\u00fcnk\u00fc \u015fiir, g\u00f6r\u00fcnenin de\u011fil; hissedilenin dilidir. Bu y\u00fczden \u015fiir yazmak, bir \u00fcretim s\u00fcreci de\u011fil; bir y\u00fczle\u015fme h\u00e2lidir. \u015eair, kelimeleri yan yana getirirken asl\u0131nda kendini par\u00e7alar. Her dize, i\u00e7inden kopar\u0131lm\u0131\u015f bir par\u00e7ad\u0131r. Bazen bir an\u0131y\u0131, bazen bir k\u0131rg\u0131nl\u0131\u011f\u0131, bazen de ad\u0131 konulamayan bir bo\u015flu\u011fu ta\u015f\u0131r. Ve \u00e7o\u011fu zaman, o bo\u015flu\u011fun ne oldu\u011fu da tam bilinmez. \u015eair yazd\u0131k\u00e7a anlamaz; yazd\u0131k\u00e7a fark eder. Bu fark edi\u015f her zaman rahatlat\u0131c\u0131 de\u011fildir. Aksine, \u00e7o\u011fu zaman daha fazla soruyu beraberinde getirir. \u00c7\u00fcnk\u00fc \u015fiir cevap vermez. \u015eiir, soruyu derinle\u015ftirir. \u0130nsan kendine yakla\u015ft\u0131k\u00e7a, ne kadar uzak oldu\u011funu da g\u00f6r\u00fcr. Belki de bu y\u00fczden bir\u00e7ok \u015fair geceye yak\u0131nd\u0131r. Gece, insan\u0131n kendinden ka\u00e7amad\u0131\u011f\u0131 zamand\u0131r. G\u00fcnd\u00fcz\u00fcn da\u011f\u0131tt\u0131\u011f\u0131 dikkat, gecenin sessizli\u011finde toparlan\u0131r. Bast\u0131r\u0131lan duygular y\u00fczeye \u00e7\u0131kar. Ve \u015fair i\u00e7in bu an, hem en zor hem de en ger\u00e7ek oland\u0131r. \u015eiir \u00e7o\u011fu zaman burada do\u011far, ka\u00e7mak ile kalmak aras\u0131nda&#8230; \u015eiirin dili de bu i\u00e7sel yolculu\u011fa benzer. Fazlal\u0131klar\u0131 sevmez. A\u00e7\u0131klamaya ihtiya\u00e7 duymaz. \u015eair, anlatmak istedik\u00e7e de\u011fil; susamad\u0131k\u00e7a yazar. Bu y\u00fczden \u015fiir, \u00e7o\u011fu zaman eksik gibi g\u00f6r\u00fcn\u00fcr. C\u00fcmleler yar\u0131m, anlamlar a\u00e7\u0131kt\u0131r. Ama bu eksiklik bir kusur de\u011fil; bilerek b\u0131rak\u0131lm\u0131\u015f bir bo\u015fluktur. \u00c7\u00fcnk\u00fc \u015fiir, okurla tamamlan\u0131r. Her okur, dizelerin aras\u0131na kendi hik\u00e2yesini yerle\u015ftirir. Ayn\u0131 \u015fiir, farkl\u0131 insanlarda farkl\u0131 duygular uyand\u0131r\u0131r. \u015eairin yazd\u0131\u011f\u0131 \u015fey sabit de\u011fildir; okuyanla birlikte de\u011fi\u015fir, geni\u015fler, \u00e7o\u011fal\u0131r.Bu da \u015fiiri di\u011fer metinlerden ay\u0131r\u0131r. \u015eiir, anlat\u0131lan bir \u015fey de\u011fil; ya\u015fanan bir \u015feydir. Ve belki de en \u00f6nemlisi, \u015fair, hi\u00e7bir zaman \u201ctam\u201d yazamaz. Ne kendini tamamen anlatabilir, ne de i\u00e7indeki o derin bo\u015flu\u011fu b\u00fct\u00fcn\u00fcyle doldurabilir. Her \u015fiir biraz eksik kal\u0131r. Her metin, s\u00f6ylenemeyen bir \u015feyin etraf\u0131nda dola\u015f\u0131r. Ama yine de yaz\u0131l\u0131r. \u00c7\u00fcnk\u00fc baz\u0131 insanlar i\u00e7in \u015fiir, bir tercih de\u011fil, bir ihtiya\u00e7t\u0131r. Konu\u015farak anlatamad\u0131klar\u0131n\u0131, susarak ta\u015f\u0131yamad\u0131klar\u0131n\u0131 yazmak zorunda olan insanlar\u0131n dilidir \u015fiir. Ve belki de bu y\u00fczden, \u015fiir, edebiyat\u0131n de\u011fil, insan\u0131n en eski h\u00e2lidir.<\/p>\n\n\n\n<p><strong>Sevkan TAHS\u0130NO\u011eLU<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u015e\u0130\u0130R ; \u0130NSANIN KEND\u0130NE YAZDI\u011eI G\u0130ZL\u0130 MET\u0130N \u015eiir, \u00e7o\u011fu zaman yanl\u0131\u015f anla\u015f\u0131l\u0131r. Onun bir s\u00fcs, bir edeb\u00ee oyun ya da duygular\u0131n estetik bir sunumu oldu\u011fu san\u0131l\u0131r. Oysa \u015fiir, en yal\u0131n h\u00e2liyle, insan\u0131n kendine yazd\u0131\u011f\u0131 bir metindir. Ba\u015fkalar\u0131 okusun diye de\u011fil; insan kendini anlad\u0131k\u00e7a, derinle\u015ftik\u00e7e; kendine ve olanlara katlanabilsin diye yaz\u0131l\u0131r. Ruhsal bir rahatlamad\u0131r belki de.<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/www.btaytd.org\/web\/tr\/pusula-dergisi-nisan-2026-sayisi-kultur-sanat\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":8,"featured_media":11989,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,94,88],"tags":[],"class_list":{"0":"post-11988","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-alt-kurullar","8":"category-fotograflar","9":"category-haberler"},"_links":{"self":[{"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/posts\/11988"}],"collection":[{"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/comments?post=11988"}],"version-history":[{"count":1,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/posts\/11988\/revisions"}],"predecessor-version":[{"id":11990,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/posts\/11988\/revisions\/11990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/media\/11989"}],"wp:attachment":[{"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/media?parent=11988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/categories?post=11988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.btaytd.org\/web\/wp-json\/wp\/v2\/tags?post=11988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}